{"id":235,"date":"2022-12-26T19:09:47","date_gmt":"2022-12-26T19:09:47","guid":{"rendered":"https:\/\/veritas-et-caritas.com\/?p=235"},"modified":"2025-04-16T15:13:25","modified_gmt":"2025-04-16T15:13:25","slug":"bibliography-true-history-of-the-chop-suey-font-1","status":"publish","type":"post","link":"https:\/\/veritas-et-caritas.com\/index.php\/2022\/12\/26\/bibliography-true-history-of-the-chop-suey-font-1\/","title":{"rendered":"The true history of the chop suey font | Is it racist?"},"content":{"rendered":"\n<p>The origin and history of the &#8220;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Wonton_font#:~:text=A%20wonton%20font%20(also%20known,an%20Asian%20or%20Chinese%20aesthetic.\" title=\"\">chop suey<\/a>&#8221; or &#8220;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Wonton_font#:~:text=A%20wonton%20font%20(also%20known,an%20Asian%20or%20Chinese%20aesthetic.\" title=\"\">wonton<\/a>&#8221; font is greatly misunderstood. <a href=\"https:\/\/youtu.be\/FYE_ao51YAg\" title=\"\">This video<\/a> explains the true history of the chop suey font, correcting mistakes in a <a href=\"https:\/\/www.youtube.com\/watch?v=YP9gEeVQZ2U\" title=\"\">video by graphic designer Linus Boman<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Is the \u201cChop Suey\u201d font racist? #1 | @LinusBoman\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/FYE_ao51YAg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Brown, Miranda. \u201cThe Hidden, Magnificent History of Chop Suey.\u201d <em>Atlas Obscura<\/em>, 30 November 2021. <a href=\"http:\/\/www.atlasobscura.com\/articles\/chop-suey-history\">http:\/\/www.atlasobscura.com\/articles\/chop-suey-history<\/a>.<\/p>\n\n\n\n<p>Campbell, Mel. \u201cStudents\u2019 Handwriting Remains the Mark of Learning.\u201d <em>The Sydney Morning Herald<\/em>, 31 October 2014. <a href=\"https:\/\/www.smh.com.au\/entertainment\/students-handwriting-remains-the-mark-of-learning-20141028-11cvpf.html\">https:\/\/www.smh.com.au\/entertainment\/students-handwriting-remains-the-mark-of-learning-20141028-11cvpf.html<\/a>.<\/p>\n\n\n\n<p>Chinese calligrapher- \u516d\u548c\u4e66\u9053 LiuHeShuDao.com. \u201cCursive Script (Chinese Calligraphic Style) \u8349\u4e66\uff08\u9ad8 )&nbsp; \u7b2c1\u96c6 #1.\u201d <em>YouTube<\/em>, 8 December 2017. <a href=\"https:\/\/www.youtube.com\/watch?v=vcc5IX3EEGg\">https:\/\/www.youtube.com\/watch?v=vcc5IX3EEGg<\/a>.<\/p>\n\n\n\n<p>Chu, Petra ten-Doesschate, and Jennifer Milam. <em>Beyond Chinoiserie: Artistic Exchange between China and the West during the Late Qing Dynasty (1796-1911)<\/em>. BRILL, 2018.<\/p>\n\n\n\n<p>Coe, Andrew. <em>Chop Suey: A Cultural History of Chinese Food in the United States<\/em>. Oxford University Press, USA, 2009.<\/p>\n\n\n\n<p>Edson, Raina Swanson. \u201cCan a Font Be Racist?\u201d <em>Music 345: Race, Identity, and Representation in American Music<\/em>, 26 October 2021. <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2021\/10\/25\/can-a-font-be-racist\/\">https:\/\/pages.stolaf.edu\/americanmusic\/2021\/10\/25\/can-a-font-be-racist\/<\/a>.<\/p>\n\n\n\n<p>Ellison, Chappell. \u201cRed Scare: How \u2018Chop Suey\u2019 Fonts Sell an Exotic, Fictional China How \u2018Chop Suey\u2019 Fonts Sell an Exotic, Fictional China.\u201d <em>GOOD<\/em>, 17 February 2012. <a href=\"https:\/\/www.good.is\/articles\/how-chop-suey-fonts-sell-a-fictional-china\">https:\/\/www.good.is\/articles\/how-chop-suey-fonts-sell-a-fictional-china<\/a>.<\/p>\n\n\n\n<p>Fahlstedt, Kim K. <em>Chinatown Film Culture: The Appearance of Cinema in San Francisco\u2019s Chinese Neighborhood<\/em>. Rutgers University Press, 2020.<\/p>\n\n\n\n<p>Fern\u00e1ndez, Nichole. \u201cStereoTYPES.\u201d <em>It Ain\u2019t Necessarily So<\/em>, 19 November 2015. <a href=\"http:\/\/www.itaintnecessarilyso.org\/articles\/2015\/11\/17\/stereotypes\">http:\/\/www.itaintnecessarilyso.org\/articles\/2015\/11\/17\/stereotypes<\/a>.<\/p>\n\n\n\n<p>Fr\u00f6lich, Hajo. \u201cThe Chinese Character: Handwriting between Utility and Identity in Twentieth-Century China.\u201d <em>Paedagogica Historica<\/em> 55.6 (2019): 854\u201370. <a href=\"https:\/\/doi.org\/10.1080\/00309230.2019.1653946\">https:\/\/doi.org\/10.1080\/00309230.2019.1653946<\/a>.<\/p>\n\n\n\n<p>Godoy, Maria. \u201cLo Mein Loophole: How U.S. Immigration Law Fueled A Chinese Restaurant Boom.\u201d <em>NPR<\/em>, 22 February 2016, \u00a7 Food History &amp; Culture. <a href=\"https:\/\/www.npr.org\/sections\/thesalt\/2016\/02\/22\/467113401\/lo-mein-loophole-how-u-s-immigration-law-fueled-a-chinese-restaurant-boom\">https:\/\/www.npr.org\/sections\/thesalt\/2016\/02\/22\/467113401\/lo-mein-loophole-how-u-s-immigration-law-fueled-a-chinese-restaurant-boom<\/a>.<\/p>\n\n\n\n<p>Hyndman, Sarah. <em>Why Fonts Matter<\/em>. Berkeley, CA: Gingko Press, 2019.<\/p>\n\n\n\n<p>Jaworski, Adam. \u201cMultimodal Writing: The Avant-Garde Assemblage and Other Minimal Texts.\u201d <em>International Journal of Multilingualism<\/em> 17.3 (2020): 336\u201360. <a href=\"https:\/\/doi.org\/10.1080\/14790718.2020.1766050\">https:\/\/doi.org\/10.1080\/14790718.2020.1766050<\/a>.<\/p>\n\n\n\n<p>Jiang, Yi. <em>Signs in Urban Spaces in Ethnic Enclaves: A Case Study of Manhattan Chinatown<\/em>. New York, N.Y.? publisher not identified, 2018. <a href=\"https:\/\/doi.org\/10.7916\/D8MD0GH8\">https:\/\/doi.org\/10.7916\/D8MD0GH8<\/a>.<\/p>\n\n\n\n<p>Jin, Xiaoxing. \u201cThe Evolution of Evolutionism in China, 1870\u20131930.\u201d <em>Isis<\/em> 111.1 (2020): 46\u201366. <a href=\"https:\/\/doi.org\/10.1086\/708367\">https:\/\/doi.org\/10.1086\/708367<\/a>.<\/p>\n\n\n\n<p>Jung, John. \u201cA Chinese American Historian By Chance: Chop Suey&#8230;the Font, Is It Racist?\u201d <em>A Chinese American Historian By Chance<\/em>, 11 November 2020. <a href=\"https:\/\/chineseamericanhistorian.blogspot.com\/2020\/11\/chop-sueythe-font-is-it-racist.html\">https:\/\/chineseamericanhistorian.blogspot.com\/2020\/11\/chop-sueythe-font-is-it-racist.html<\/a>.<\/p>\n\n\n\n<p>Lee, Jennifer B. <em>The Fortune Cookie Chronicles: Adventures in the World of Chinese Food<\/em>. Hachette UK, 2008.<\/p>\n\n\n\n<p>Li, Chris Wen-Chao. \u201cConflicting Notions of Language Purity: The Interplay of Archaising, Ethnographic, Reformist, Elitist and Xenophobic Purism in the Perception of Standard Chinese.\u201d <em>Language &amp; Communication<\/em> 24 (2004): 97\u2013133. <a href=\"https:\/\/doi.org\/10.1016\/j.langcom.2003.09.002\">https:\/\/doi.org\/10.1016\/j.langcom.2003.09.002<\/a>.<\/p>\n\n\n\n<p>Linus Boman. \u201cHow This Font Became the Face of Chinese Food in America,\u201d 2 February 2022. <a href=\"https:\/\/www.youtube.com\/watch?v=YP9gEeVQZ2U\">https:\/\/www.youtube.com\/watch?v=YP9gEeVQZ2U<\/a>.<\/p>\n\n\n\n<p>Look, Tin Eli (\u9678\u6f64\u537f). \u201cOur New Oriental City &#8211; Veritable Fairy Palaces Filled with the Choicest Treasures of the Orient.\u201d <em>San Francisco: The Metropolis of the West<\/em>. Edited by Hamilton Wright. San Francisco: Western Press Association, 1910. <a href=\"https:\/\/archive.org\/details\/sanfranciscometr00wrig\">https:\/\/archive.org\/details\/sanfranciscometr00wrig<\/a>.<\/p>\n\n\n\n<p>Lord, Victoria. \u201cThe Medieval Scribe and the Art of Writing.\u201d <em>The Ultimate History Project<\/em>, n.d. <a href=\"http:\/\/ultimatehistoryproject.com\/the-medieval-scribe.html\">http:\/\/ultimatehistoryproject.com\/the-medieval-scribe.html<\/a>.<\/p>\n\n\n\n<p>Meletis, Dimitrios. \u201c\u2018Is Your Font Racist?\u2019 Metapragmatic Online Discourses on the Use of Typographic Mimicry and Its Appropriateness.\u201d <em>Social Semiotics<\/em> 0.0 (2021): 1\u201323. <a href=\"https:\/\/doi.org\/10.1080\/10350330.2021.1989296\">https:\/\/doi.org\/10.1080\/10350330.2021.1989296<\/a>.<\/p>\n\n\n\n<p>Pan, Xiaxing, Huiyuan Jin, and Haitao Liu. \u201cMotives for Chinese Script Simplification.\u201d <em>Language Problems and Language Planning<\/em> 39.1 (2015): 1\u201332. <a href=\"https:\/\/doi.org\/10.1075\/lplp.39.1.01pan\">https:\/\/doi.org\/10.1075\/lplp.39.1.01pan<\/a>.<\/p>\n\n\n\n<p>Pattanaik, Devdutt. \u201cLove in Simplified Chinese Is without a Heart.\u201d <em>The Economic Times<\/em>, 21 October 2019. <a href=\"https:\/\/economictimes.indiatimes.com\/blogs\/et-commentary\/love-in-simplified-chinese-is-without-a-heart\/\">https:\/\/economictimes.indiatimes.com\/blogs\/et-commentary\/love-in-simplified-chinese-is-without-a-heart\/<\/a>.<\/p>\n\n\n\n<p>Rainis, Jake. \u201cLearning Blackletter Alphabets (Free Downloadable Guides).\u201d <em>Jake Rainis<\/em>, 10 December 2019. <a href=\"https:\/\/jakerainis.com\/blog\/learning-blackletter-alphabets\/\">https:\/\/jakerainis.com\/blog\/learning-blackletter-alphabets\/<\/a>.<\/p>\n\n\n\n<p>Reed, Christopher, F\u00e9lix R\u00e9gamey, Pierre Loti, and Emile Guimet. <em>The Chrysanth\u00e8me Papers: The Pink Notebook of Madame Chrysanth\u00e8me and Other Documents of French Japonisme<\/em>. Honolulu: University of Hawai\u02bbi Press, 2010. <a href=\"https:\/\/www.degruyter.com\/doi\/book\/10.21313\/9780824860721\">https:\/\/www.degruyter.com\/doi\/book\/10.21313\/9780824860721<\/a>.<\/p>\n\n\n\n<p>Shaw, Paul. \u201cStereo Types.\u201d <em>PRINT Magazine<\/em>, 17 June 2009. <a href=\"https:\/\/www.printmag.com\/design-resources\/stereo_types\/\">https:\/\/www.printmag.com\/design-resources\/stereo_types\/<\/a>.<\/p>\n\n\n\n<p>Silverstein, Andrew. \u201cIn the Rarified World of Jewish Letters, a Mind-Boggling Font of Jewish History.\u201d <em>The Forward<\/em>, 22 July 2022. <a href=\"https:\/\/forward.com\/culture\/507668\/faux-hebrew-font-jewish-antisemitic-soy-vey-origins-fake-yiddish-letters\/\">https:\/\/forward.com\/culture\/507668\/faux-hebrew-font-jewish-antisemitic-soy-vey-origins-fake-yiddish-letters\/<\/a>.<\/p>\n\n\n\n<p>Takagi, Mariko. \u201cBamboo_fonts: Cultural Sstereotypes Visualised by Display Fonts.\u201d <em>Display Typography<\/em>. Guwahati, India: Institute of Technology Guwahati, 2013.<\/p>\n\n\n\n<p>\u2014\u2014\u2014. \u201cKanji Graphy: Visual Translation between Latin Letters and Japanese Characters.\u201d <em>LetterSeed<\/em> 11 (2015).<\/p>\n\n\n\n<p>Travis. \u201cRanji: The World of Images on Export Tea Crates (Verkehr Museum, Shizuoka).\u201d <em>\u4e0a\u308a\u53e3\u8aac Nubui Kuduchi<\/em>, 8 August 2020. <a href=\"https:\/\/chaari.wordpress.com\/2020\/08\/07\/ranji-the-world-of-images-on-export-tea-crates-verkehr-museum-shizuoka\/\">https:\/\/chaari.wordpress.com\/2020\/08\/07\/ranji-the-world-of-images-on-export-tea-crates-verkehr-museum-shizuoka\/<\/a>.<\/p>\n\n\n\n<p>Tsu, Jing. \u201cChinese Scripts, Codes, and Typewriting Machines.\u201d <em>Science and Technology in Modern China, 1880s-1940s<\/em>. Edited by Jing Tsu and Benjamin A. Elman. China Studies 27. BRILL, 2014.<\/p>\n\n\n\n<p>TypeRoom. \u201cCan a Font, in Itself, Truly Be Racist? CNN &amp; More Report on \u2018Chop Suey\u2019 Fonts &#8211; TypeRoom,\u201d 7 October 2022. <a href=\"https:\/\/www.typeroom.eu\/can-a-font-in-itself-truly-be-racist-cnn-and-more-report-on-chop-suey-fonts\">https:\/\/www.typeroom.eu\/can-a-font-in-itself-truly-be-racist-cnn-and-more-report-on-chop-suey-fonts<\/a>.<\/p>\n\n\n\n<p>Wachendorff, Irmi. \u201cCultural Stereotypes In Letter Forms In Public Space.\u201d <em>NERD \u2013 New Experimental Research in Design<\/em>. Edited by Michael Erlhoff and Wolfgang Jonas. De Gruyter, 2018. <a href=\"https:\/\/doi.org\/10.1515\/9783035617429\">https:\/\/doi.org\/10.1515\/9783035617429<\/a>, <a href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783035617429\/html\">https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783035617429\/html<\/a>.<\/p>\n\n\n\n<p>Waller, James. <em>Prejudice Across America<\/em>. University Press of Mississippi, 2009.<\/p>\n\n\n\n<p>West, Andrew. \u201cBabelStone Blog\u202f: R Rotunda Part 1.\u201d <em>BabelStone<\/em>, July 2006. <a href=\"https:\/\/www.babelstone.co.uk\/Blog\/2006\/07\/r-rotunda-part-1.html\">https:\/\/www.babelstone.co.uk\/Blog\/2006\/07\/r-rotunda-part-1.html<\/a>.<\/p>\n\n\n\n<p>Yung, Judy. <em>San Francisco\u2019s Chinatown<\/em>. Arcadia Publishing, 2006.<\/p>\n\n\n\n<p>\u201cCarolingian Minuscule.\u201d <em>Arts and Justice<\/em>, 5 February 2016. <a href=\"https:\/\/www.artsandjustice.org\/graphic-design-1\/carolingian-minuscule-5012\/\">https:\/\/www.artsandjustice.org\/graphic-design-1\/carolingian-minuscule-5012\/<\/a>.<\/p>\n\n\n\n<p><em>Cord Cursive Handwriting: Notes for Teachers<\/em>. Tasmania, Australia: Education Department, Curriculum Branch, 1969.<\/p>\n\n\n\n<p>\u201cHandwriting,\u201d n.d. <a href=\"http:\/\/what-when-how.com\/forensic-sciences\/handwriting\/\">http:\/\/what-when-how.com\/forensic-sciences\/handwriting\/<\/a>.<\/p>\n\n\n\n<p><em>[Memorizing Characters] The Most Common Chinese Radicals Explained in English | \u5973\u5b57\u65c1<\/em>, 2019.<\/p>\n\n\n\n<p>\u201cRaven Mo,\u201d n.d. <a href=\"https:\/\/www.ravenmo.info\/\">https:\/\/www.ravenmo.info\/<\/a>.<\/p>\n\n\n\n<p>\u201cRocky Mountain Branch of the IDA \u2013 Promoting Structured Literacy Through Research, Education &amp; Advocacy.\u201d <em>Rocky Mountain Branch of The International Dyslexia Association<\/em>, n.d. <a href=\"https:\/\/idarmb.org\/\">https:\/\/idarmb.org\/<\/a>.<\/p>\n\n\n\n<p>\u201cThe Art of Writing and Manuscript Production.\u201d <em>York Archaeology<\/em>, 18 June 2019. <a href=\"https:\/\/www.yorkarchaeology.co.uk\/resilience-year-2\/2019\/6\/18\/the-art-of-writing-and-manuscript-production\">https:\/\/www.yorkarchaeology.co.uk\/resilience-year-2\/2019\/6\/18\/the-art-of-writing-and-manuscript-production<\/a>.<\/p>\n\n\n\n<p>\u201cTracing Font with Lines and Arrows | Download Free Tracing Font.\u201d <em>Alphastrokes<\/em>, n.d. <a href=\"https:\/\/www.alphastrokes.com\/font\/\">https:\/\/www.alphastrokes.com\/font\/<\/a>.<\/p>\n\n\n\n<p><em>Writing Cursive and Copperplate<\/em>, 2017.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The origin and history of the &#8220;chop suey&#8221; or &#8220;wonton&#8221; font is greatly misunderstood. This video explains the true history of the chop suey font, correcting mistakes in a video by graphic designer Linus Boman. Brown, Miranda. \u201cThe Hidden, Magnificent History of Chop Suey.\u201d Atlas Obscura, 30 November 2021. http:\/\/www.atlasobscura.com\/articles\/chop-suey-history. Campbell, Mel. \u201cStudents\u2019 Handwriting Remains &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/veritas-et-caritas.com\/index.php\/2022\/12\/26\/bibliography-true-history-of-the-chop-suey-font-1\/\" class=\"more-link\">Read more<span class=\"screen-reader-text\"> &#8220;The true history of the chop suey font | Is it racist?&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-235","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 4.9.5.2 - aioseo.com -->\n\t<meta name=\"description\" content=\"The origin and history of the &quot;chop suey&quot; or &quot;wonton&quot; font is greatly misunderstood. 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